National Repository of Grey Literature 11 records found  1 - 10next  jump to record: Search took 0.01 seconds. 
Cathedral today
Kovář, Martin ; Mléčka, Jan (referee) ; Štěpán, Marek (advisor)
The content of the work is ideas solution for the roof of the Notre-Dame in Paris, after the destroying fire in 2019. Main idea is to create garret space for spiritual people, which used to meet, study and pray without the contact with the tourists and fill in the gap after the old tower above the crossing. Concept based on the original garret, which was only for service. The idea is coming especially from the simplicity and effectivity of the old garret and pointing on some of his elements. Space under the roof should be simple according to the first floor of the cathedral. The function is reflecting simplicity of the spaces with the respect to historical cathedral. Garret is designed for spiritual people, who are working in Notre-Dame and makes a space for them, which will be calm place for meditation. For this purpose are there cells for individual studying, library, common space and chapel. Connecting and meeting point in the same time between the ground, garett and higher power is sanctuary. This part is getting light to the ground floor.
Cathedral today
Klimeš, Jakub ; Mléčka, Jan (referee) ; Štěpán, Marek (advisor)
This project focuses on an ideal solution for restoring the roof of Notre-Dame in Paris, which burned down together with its spire on April 15, 2019. The main motive behind the design was to create a quiet space that will serve as a memorial of the fire and reflect the unity of the society that contributed to the rebuilding found. The primary step of the whole reconstruction is to find an adequate way of renewal and its ethical boundaries. Main attention is focused on the roof and on the spire of the cathedral. As a tribute to medieval builders who consecrated their lives into this magnificent piece of work. The exterior of the new design has the same silhouettes and proportions that it has got eight centuries ago, but with a touch of a modern day aesthetics. When designing the interior of the roof, it was really important to maintain a clear representation of Gothic architecture – the balance between darkness and light. The space is divided into two parts. The first part represents darkness, as an obstacle, which each of us has to overcome. The second part is full of natural light that seems to tear the roof of the cathedral and illuminates the entire space inside. At the heart of the design is a gem that matters the most, life. The spire of the cathedral is designed with four pillars that symbolize the connection of mind-spirit-body with physical world The idea of the spire reflects these seemingly different things, but together they unite into one piece.
Foreinger-Immigrant in the Bible and today: the study of relevant biblical concepts and their contextualization
ŠMÍD, Aleš
The thesis deals with the importance of the foreigner-immigrant and his position in the Bible and today. With the use of the Bible, standard dictionaries and biblical commentaries the goal is to explore the Old and New Testament texts and with the help of exegeses of the secondary authors identify, analyze and critically evaluate impacts of those relevant biblical texts related to the topic of illegal immigration that are a part of immigration discussions today. The aim of the theoretical part was to get acquainted with the appropriate domestic and foreign literature which from the Christian point of view deals with the problematics of the migration and illegal immigration in particular. The practical part consisted in a mutual comparison of various exegeses of relevant biblical texts, highlighting possible similarities and differences resulting from the exegeses and pointing out benefits for the immigration discussion today.
Nature as a sanctuary in selected poems of William Wordsworth
Roučková, Pavla ; Higgins, Bernadette (advisor) ; Topolovská, Tereza (referee)
This thesis deals with the theme of nature as a sanctuary in selected poems of William Wordsworth. The purpose of this thesis is to investigate such aspects of Wordsworth's writings that portray the outdoors as a shelter, where one can escape from the industrial, urbanised society in order to reach a tranquil state of mind and through meditation and introspection find wisdom. The main features of Wordsworth's interpretation of a sanctuary that this thesis discusses are nature as a source of serenity, nature as a teacher and the superiority of nature over the city. This thesis also provides a factual background and insight into the life of the poet in order to investigate the motivations behind the choice of nature as the main subject in his writings. The thesis begins with the introduction of the romantic movement as a whole. In this part of the document, romanticism will be introduced and discussed by commenting on and contrasting works of other writers of that era with the works of William Wordsworth with the primary focus being on the theme of nature in order to establish the poet's position within the movement. The theoretical part also deals with the childhood and adolescent life of Wordsworth as a primary motivator for portraying the topics mentioned above in his poetry through studying The...
Cathedral today
Kovář, Martin ; Mléčka, Jan (referee) ; Štěpán, Marek (advisor)
The content of the work is ideas solution for the roof of the Notre-Dame in Paris, after the destroying fire in 2019. Main idea is to create garret space for spiritual people, which used to meet, study and pray without the contact with the tourists and fill in the gap after the old tower above the crossing. Concept based on the original garret, which was only for service. The idea is coming especially from the simplicity and effectivity of the old garret and pointing on some of his elements. Space under the roof should be simple according to the first floor of the cathedral. The function is reflecting simplicity of the spaces with the respect to historical cathedral. Garret is designed for spiritual people, who are working in Notre-Dame and makes a space for them, which will be calm place for meditation. For this purpose are there cells for individual studying, library, common space and chapel. Connecting and meeting point in the same time between the ground, garett and higher power is sanctuary. This part is getting light to the ground floor.
Cathedral today
Klimeš, Jakub ; Mléčka, Jan (referee) ; Štěpán, Marek (advisor)
This project focuses on an ideal solution for restoring the roof of Notre-Dame in Paris, which burned down together with its spire on April 15, 2019. The main motive behind the design was to create a quiet space that will serve as a memorial of the fire and reflect the unity of the society that contributed to the rebuilding found. The primary step of the whole reconstruction is to find an adequate way of renewal and its ethical boundaries. Main attention is focused on the roof and on the spire of the cathedral. As a tribute to medieval builders who consecrated their lives into this magnificent piece of work. The exterior of the new design has the same silhouettes and proportions that it has got eight centuries ago, but with a touch of a modern day aesthetics. When designing the interior of the roof, it was really important to maintain a clear representation of Gothic architecture – the balance between darkness and light. The space is divided into two parts. The first part represents darkness, as an obstacle, which each of us has to overcome. The second part is full of natural light that seems to tear the roof of the cathedral and illuminates the entire space inside. At the heart of the design is a gem that matters the most, life. The spire of the cathedral is designed with four pillars that symbolize the connection of mind-spirit-body with physical world The idea of the spire reflects these seemingly different things, but together they unite into one piece.
The Tel Arad Sanctuary in the Light of New Archaeological Evidence. The Latest Cultic Findings form the Kingdom of Judah.
Moulis, David Rafael ; Čapek, Filip (advisor) ; Charvát, Petr (referee) ; Chalupa, Petr (referee)
The presented thesis focuses on the comparison of the Tel Arad sanctuary with other Judean archeological sites (Beersheba, Lachish, Khirbet Qeiyafa, Tel Moza, Tel Halif), where an archaeological evidence of cultic places from the Iron Age IIa-b was found. A realistic reconstruction of the Arad and the Judean cults in the light of the latest findings was possible only after a research of epigraphic materials from Kuntillet Ajrud, Khirbet el-Qom and Khirbet Beit Lei. The thesis also analyzes the smaller cultic artefacts which are connected to the popular religion. The first evidence of the Judean cult dates back to the late 11th or early 10th century B.C.E. and was found in Khirbet Qeiyafa. Nevertheless, most of the findings are from the official legitimate and illegitimate cultic sites of the 8th century B.C.E. In the end, they were canceled by different rendition (e.g. they were abandoned, dismantled or buried under the layer of earthen fill). Many of the archaeological sites are still under excavation, which means, that the collection of the material culture is going to be larger and significantly more varied. We can use these artifacts to reconstruct and understand ancient Judean cult. There is a high possibility that the new future findings will challenge original theories from the last decades....
The Desert Sanctuary of Israel According to the Pentateuch
Steiner, Jan ; Mikulicová, Mlada (advisor) ; Pitterová, Jana (referee)
The bachelor thesis deals with the first sanctuary of Israel. First, it describes the religion of the nations, from which Israel came. They are Babylonians and Assyrians, Egyptians and the people of Syropalestine. The history of Israel begins with the forefather Abraham, it continues in his descendants from whom Israel was established, the Lord's chosen people. The Lord led his people from Egypt into the desert, where he signed a contract with them. The main part deals with the first sanctuary of Israel. The sanctuary was portable. Its appearance is described in Ex 25-31,35-40, but it is a description of a developed cult. To find the beginnings of the cult of the Lord, which was carried by nomadic Israelites in the desert, it is necessary to turn to the old texts in the books of Exodus and Numbers, which describe the first tent and the ark. For more information it was necessary to compare the tabernacle of the temple of Solomon and similar objects used in the surrounding nations.

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